15 Figures of Speech to Color Your Characters

15 Figures of Speech to Color Your Characters 15 Figures of Speech to Color Your Characters 15 Figures of Speech to Color Your Characters By Mark Nichol Metaphors can make distinctive pictures in readers’ minds when they read about characters in your works of fiction. By â€Å"figures of speech,† be that as it may, I don’t mean just the contemporary methods of illustration or overstatement. I allude, rather, to the old style figures of derivation, orthography, linguistic structure, and talk, which frequently have applications in both regular and exquisite language. I shared a rundown of explanatory terms some time back, yet here I present explicit gadgets (counting a portion of those I recorded previously) for proposing character characteristics or suggesting vernacular by adjusting the spelling or type of words or the development of sentences. These procedures help pass on a character’s voice as well as character whether they’re highbrow or lowbrow, pompous or unaffected, expressive or incoherent: 1. Apheresis: elision at the leader of a word, for example, in ’gainst, (against), frequently to change lovely meter. 2. Apocope, or apocopation: elision at the tail of a word, for example, promotion (ad), for everyday comfort, or th’ (the), to show vernacular. 3. Obsolescences: antiquated stating for nostalgic or scholarly impact, for example, â€Å"ye old antique shoppe†-type developments, or outdated words, for example, dight (decorate) or yclept (named). 4. Dissimulation: error of a word that includes stifling one of two occurrences of the r sound, as in the mistaken Febuary (February). 5. Ellipsis: exclusion of inferred words, regardless of whether everyday, as in â€Å"He was the main individual (who) I saw,† or lovely, as in â€Å"Wrongs are engraved on marble; benefits (are engraved) on sand.† 6. Enallage: replacement for wonderful impact of a right type of a word with a wrong structure, as in â€Å"Sure some catastrophe has befell.† 7. Epenthesis: inclusion of a consonant (called excrescence) or vowel (known as anaptyxis) into the center of a world, as in drawring (drawing), regularly to outline a speaker’s unacceptable lingo. 8. Hyperbaton: transposition of words, as in â€Å"Happy is he who is simple.† 9. Mimesis: malapropisms and errors for clever impact, as â€Å"very close veins† rather than â€Å"varicose veins.† 10. Paragoge: connection of a pointless postfix to a root word to demonstrate tongue, as in withouten (without), or to underscore a cliché remote emphasize, as in an Italian person’s assumed tendency to end every single English word with a vowel sound in a sentence like â€Å"He’s an a rich-a man.† 11. Pleonasm: repetition for abstract impact, as in â€Å"He that has ears to hear, let him hear.† 12. Prosthesis: connection of an unnecessary prefix to a root word, as in â€Å"She were aborn before your time.† 13. Syneresis: collapsing of two syllables into one, as in regular constriction like I’ll (â€Å"I will†) or antiquated structures like â€Å"Seest thou?† (â€Å"Do you see?†). 14. Syncope: elision of letters inside a word, as in e’en (even), to influence meter in verse or in any case imply a traditional temper. 15. Timesis: addition of a word between the components of an open or shut compound, regardless of whether in contemporary slang (abso-frickin’-lutely) or traditional use (â€Å"So new a formed robe.†) Need to improve your English in a short time a day? Get a membership and begin accepting our composing tips and activities day by day! Continue learning! Peruse the Fiction Writing class, check our famous posts, or pick a related post below:The Royal Order of Adjectives A While versus Awhile30 Words for Small Amounts